When I was a young person I was always amazed by anyone who could play anything. Since I didn’t know a lot about the technical, theoretical end of music I was easily impressed by anything that sounded good to my untrained ears. I didn’t realize that that was as far as most people took it, they just liked it or they didn’t and that was all there was to it.
I wanted to play and I wanted to be good but I didn’t know how. What happened, because I didn’t understand how or why, is that I placed myself in a position of un-understanding which hindered my musical growth for many years. I hadn’t been shown and I wasn’t a savant. I lacked a good music education and my musical growth suffered until I came in contact with competent teachers who had experience and knowledge.
It took me the longest time to start writing drum parts. How could I do that? I wasn’t a drummer. It wasn’t until I asked Bill Muha, a drummer in one of my bands, for advice and he told me that drumming really clicked for him when he finally got the basic swing beat. In 4/4 time the snare on 1 & 3, the bass drum on 2 & 4 and the ride cymbal on 1, the and of 2 and 4. I went home and wrote that rhythm into my Finale software program and played it back. Lo and behold my understanding clicked. Here was a rhythmic flow defined by a combination of 3 simple parts. Granted this isn’t the end all of drumming but it allowed me to open my mind and place my feet on solid ground to proceed forward. Thanks Bill.
Music – the science or art of ordering tones or sounds in succession, in combination, and in temporal relationships to produce a composition having unity and continuity.
Noise – random or unpleasant sound.
Playing music for the trained musician is manipulating patterns in sound. The patterns manifest themselves in melodies, bass lines, rhythmic figures and harmonic structures. The ways that these components fit together are many and varied. It is interesting to note that the basic rules of music theory aren’t man made ideas, they are the result of people listening to what sound does with itself and were compiled over many years.
There are savant players, but for many of us musical freedom is achieved through an intense study of scales, bass lines, chord changes and rhythms until we start seeing the inherent patterns in music and can start to extrapolate upon them and come up with new ways to play within the system.
We can insert uncommon musical patterns into tunes as long as we do it properly. In general it is done by going out of the norm and coming back in. In most types of music there is a tone center which must be dealt with and genre considerations.
Listen to the blues lick and note the descending whole tone scale fit in where it normally should not be. It fits because it is a pattern within itself and is properly resolved back into the blues structure.